CAROLE P. ROMAN – COLLABORATING WITH PERFECT STRANGERS
MARCH 1, 2017
I wrote
Captain No Beard on a Sunday night. Monday my son took me shopping. Not for
shoes or clothes, he took me shopping for an illustrator.
“Pick
anyone,” I told him as I ran off to my next meeting. He shook his head, opening
up the link to Createspace’s illustrators and said, “I’ll wait for you.” I
stared at the vast assortment of talented artists with something akin to
horror. “I can’t decide.” Each illustrator had five or more examples of
what they could do. They were all beautiful
and overwhelmed with a vast array of styles that suggested many things.
Some
were clearly aimed at children, others were dark and disturbing. There were
even recognizable cartoon characters familiar from ads in magazines! I
looked at big bubbly heads with googly eyes or fantastic beasts that didn’t
look like anything that could have come from my imagination. I grabbed my
manuscript to my chest protectively and shook my head. Mine! I
panicked. My characters are from my psyche, lovingly developed, carefully
nurtured. Tears filled my eyes. They are my BABIES! I wrote
a book and made everyone proud. My lifelong dream had come true. Now, not only
did I have to let someone help shape my characters, I’d have to let them claim
it as their own as well. Would I have to let them put their own stamp on it as
well? Who could give substance to my precious personalities? Who could I
trust with this task?
I felt
like someone was coming into my private space, the inner sanctum of my mind.
Yet, unless I was prepared to send out my creation with stick figures, I had to
choose an artist to share my spotlight. What if
I picked the wrong one? What if they ruined the words that made magic in my
head? I felt wary of handing over my work to a perfect stranger to interpret
and possibly reshape my intent. This wasn’t as easy as I thought. How was
I going to convey how important the characters were to me? After all, the
captain and the crew were based on my entire family. What if they came
out…wrong?
After
much debate, I picked the whimsical Bonnie
Lemaire for my pirate series. She had the imaginative and
dreamy elements that suited my needs for the captain and his crew. For my
yoga book, I picked Tallifer
Long. The spare style the artist used highlighted the need for
restraint for this book. When I began the cultural series which ended up
the most awarded and successful of all my books, I found Kelsea Wierenga. She
agreed we needed to be as accurate and respectful as we could and not fall into
the traps of cartoonish stereotypes.
Mateya Arkova and I have worked together on over
ten books. She too understands despite language barriers exactly what I need
and provided a wonderful element to my growing series. We
worked through emails, never meeting. When I receive an alert, I open the
message with a mixture of anticipation and wonder Think of a child opening a
brightly wrapped present, the gasp of intense pleasure upon seeing the
gift. Yes, indeed these drawings are a gift. That which I dreaded most,
collaboration with a perfect stranger, has turned into one of the most exciting
and fulfilling experiences of my life.
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